Powers Perspective

Massive Attack: Heligoland

2010-03-11T06:24:05Z

'You're only paranoid if they're not out to get you,' is an adage that's self-evidently true. With that as a given, Massive Attack mainstay 3D (a.k.a. Robert Del Naja) has every right to feel more than a little suspicious and mistrustful, especially when it comes to matters of internet privacy, security and surveillance.

After the FBI passed on a list of 7,300 UK credit card numbers associated with various porn sites (some legal and some of an illicit nature) to UK authorities, 3D was swept up in the excessively wide net of an indiscriminate police sting in 2003. Though allegations of any wrongdoing were unfounded, the repercussions were severe for the outspoken graffiti artist, vocalist and music producer. His home was raided, and all his computers and hard drives were confiscated for several months. To compound the situation, despite the fact that no charges directly relating to the police operation were ever filed, the furor that surrounded the investigation and baseless accusations (which were leaked and sensationally reported by a tabloid newspaper) meant that touring plans to promote Massive Attack's fourth studio album 100th Window had to be put on hold. The situation was all the more ironic considering the title of that album referred to a book that exposed the flaws in computer security and the rampant misuse of information in the internet age.

That unfortunate episode however was not the only incident that might have put 3D on the various "person of interest" lists around the world. He has been extremely open and vocal about his disapproval of the 2003 invasion of Iraq, going as far as designing and funding a series of anti-war ads which were published in the NME (with cohort Damon Albarn). Furthermore, having made several forays to the Middle East with the band, 3D has frequently voiced his concern for the plight of the Palestinian people, and in 2007 put the issue at the top of Massive Attack's political agenda with a series of sold out benefit concerts for the Hoping Foundation (an organization which aids children of the troubled state).

These distractions coupled with increasing demand from filmmakers for scores and soundtracks, meant that a new full-length Massive Attack release took a little longer than expected to manifest. However the wait - and the adversity - has paid off. Original band member Daddy G (a.k.a. Grant Marshall), who'd been absent from the project for several years, came back into the fold, and the resulting fifth studio album, Heligoland (released last month), debuted at #46 on the Billboard Top 200, giving Massive Attack their highest US chart position to date.

I caught up with 3D while he was in LA on a brief promotional trip ahead of Massive Attack's first North American tour in 4 years. During our phone conversation, he spoke about the new CD (which features contributions from Damon Albarn, Hope Sandoval, Martina Topley-Bird, and longtime Massive Attack collaborator Horace Andy, among others), and shared his thoughts on the increasingly pointless posturing of British and American party politics, the inherent dangers of our heavily surveilled states, and the futility of exporting such a culture to the Middle East.

Read the full interview with Massive Attack's 3D on SuicideGirls.com.

Manifesting Equality

2010-03-09T05:35:25Z

Was Manifesting Equality on Saturday night.

Hope it works!

Can't believe anyone can be pro-Prop H8te in 2010.

That kind of philosophy is so last century, never mind last decade.

It's about time primitive minds evolved.

Thanks to Jon Stern for the images.

Down The Rabbit Hole With Camille Rose Garcia And Robin Williams

2010-03-08T10:24:10Z

I caught up with artist Camille Rose Garcia at the opening of Down The Rabbit Hole, an exhibition of the original art from her latest project, a reimagining of the illustrations that accompany the text of Lewis Carroll's classic children's book, Alice's Adventures in Wonderland.

Though the March Hare, the Mad Hatter and the Dormouse were unable to attend the party at the Merry Karnowsky Gallery in Los Angeles on Saturday night in person, Hollywood funnyman Robin Williams did make a somewhat unexpected appearance.

Earlier, I'd spoken with Garcia for an in-depth interview which can be found at SuicideGirls.com. After talking about the visual vocabulary and inspirations behind her Alice illustrations, our conversation turned to a core SuicideGirls topic: body art.

Here is a previously unpublished outtake from this interview in which Garcia talks about her own tattoos and her art as it appears on other people's body parts.

Ondi Timoner: We Live In Public

2010-02-25T01:20:14Z

At a time when, however deliberately or consciously, we live our lives in public online, access to our privacy is the new currency of value. Just because you can keep track of your friends via Facebook, post and tag photos on MySpace, and spew out your every waking thought on Twitter - all easily and for free - it's easy to assume it's a good thing. Josh Harris is a man who made a similar assumption.

Described as "the greatest Internet pioneer you've never heard of," Harris carved a high profile career out of being an instinctive World Wide Web visionary. Before the web was very worldly or wide, he founded Jupiter Research, a company which sold technology trend and impact information to corporations that barely understood what a website was. Harris then rolled the dot.com fortune he made there into Pseudo.com, a New York based Internet TV station that went live when most of America was still on dial up.

Serving as both business manager and creative director at Pseudo, which webcast multiple channels of original content, Harris reinvented himself in the frame of a digital performance artist during his tenure at the too-far-ahead of its time company. As the millennium loomed, Harris was forced out of Pseudo, and he subsequently invested a large amount of his considerable fortune ($80 million at its peak) in a series of two very controversial digital media social experiments.

The first was called Quiet, though it was anything but. For the project which was intended to mark the turn of the millennium, Harris built an ambitious - and expensive - fully wired environment, which housed 100 guests / experiment subjects 24/7 for a period of 30 days. The claustrophobic underground bunker featured pod bunks for sleeping, communal toilet and bathing facilities, a dining area, and a poorly insulated gun range where residents could blow off steam. There was also an onsite interrogation room.

Potential residents had to sell their pixilated souls in order to gain entry to Quiet. There was an intense intake program that involved an intrusive questionnaire, those that passed this initial test had to agree to subject themselves to random interrogations, among other dehumanizing things. All activity in the bunker was caught on camera and microphone, and relayed for the entertainment of Quiet's residents to their in-Pod TVs. Privacy was non-existent, and individuals were reduced to being "channels" for the entertainment of others - suffice to say the sate-or-the art society Harris had created was far from utopian.

For his next experiment / performance art piece Josh took things a step further, and took on the roles of both puppet and puppet master. He installed 30 motion-controlled surveillance cameras and 66 high sensitivity microphones in a New York loft, and moved in with his new girlfriend, Tanya Corrin (who had previously worked with Harris as a presenter at Pseudo). The pair were the first couple to broadcast their everyday home lives live on the Internet, and viewers could post their comments in real time via the project's associated chat rooms. The stunt garnered much mainstream attention, and fed Harris' growing need for 15 minutes of fame - per day. But as life in public unfolded, and not in the way either of them had planned, Harris and Corrin realized a little too late that perhaps the most valuable thing online might be privacy. It's a lesson we all may want to take note of.

To this end, renowned film director Ondi Timoner set about assembling and editing footage she'd shot of Harris over a 10-year period. The resulting film, We Live In Public, which Timoner describes as "a cautionary tale," is both thought provoking and shocking, having a profound effect on all who open themselves up to it. The documentary won the Grand Jury Prize at Sundance in 2009, making Timoner, whose previous film Dig! was also a winner at the festival (in 2004), the only director ever to be given the honor twice.

I caught up with Timoner ahead of We Live In Public's March 1st DVD and VOD release.

Read my interview with Ondi Timoner at SuicideGirls.com to get an exclusive retrospective tour of the Quiet bunker, and an insight into the mind of its maniacal master.

Anders Østergaard: Burma VJ

2010-02-18T17:56:42Z

At the time much of the footage for the Oscar-nominated documentary Burma VJ was being shot, its director, Anders Østergaard, wasn't even in the same hemisphere. Wanting to open a window on the closed country of Burma (a.k.a. Myanmar), the Danish-based filmmaker struck up a groundbreaking remote collaboration with a network of underground citizen reporters, who risked torture, imprisonment and death as they shot then smuggled footage beyond the military dictatorship's closely guarded borders.

The documentary was originally intended to be a half hour short, profiling a 27-year old video journalist (or VJ) known as Joshua who worked behind Burma's barbed-wire veil of silence and against the strict media embargo enforced by its military government (which came to power after a coup in 1962). Using a pseudonym to protect his identity, Joshua coordinated illicit on-the-ground coverage for the Democratic Voice of Burma, a non-profit news organization based in Norway. However, when Burma's ruling junta abruptly ceased subsidies on fuel, which caused the price to skyrocket, destabilizing an economy that was already among the world's poorest, Joshua and Østergaard's project took on a far greater significance.

Thousands of the country's Buddhist monks took to the streets in the latter part of 2007, leading what developed into widespread protests against the intransigent regime. Armed with their wits and hand held video cameras, Joshua and his crew of VJs documented the saffron uprising and the Burmese government's brutal retaliation to it from the front lines. It was the first time in a generation that the people had dared challenge their leaders, but this was very different to the last uprising in 1988. Footage captured by Joshua and his team was beamed around the world. Vivid images of soldiers viciously beating monks in the street in broad daylight were broadcast via all the major new networks, putting Burma - albeit briefly - at the top of the United Nation's political agenda. With no room for deniability, Burma's military leaders were shamed into making concessions. And then the world's attention moved on.

Fast-forward to 2010, with promises broken and hard fought concessions reneged on, it might be easy for Joshua and his fellow Burmese citizens to feel despondent. However, with Burma VJ, a documentary that combines original footage with dramatic recreations, Joshua and Østergaard hope to raise awareness for the ongoing plight of the Burmese people. At the start of this month their cause was given a massive boost with an Academy Award nomination for their film in the category for Best Documentary feature.

I caught up with Østergaard, a Danish filmmaker who was previously best known for Tintin and Me (a 2003 documentary about comics writer and artist Hergé). Over coffee we talked about Burma VJ's dramatic journey from the impoverished streets of Burma to Hollywood's glittering Kodak Theater, and what the film's Oscar nomination means for a new generation of citizen journalists and for those fighting oppression around the globe.

Read my exclusive interview with Anders Østergaard at SuicideGirls.com.

In Conversation: On Blast

2010-02-16T07:15:17Z

My interview with Andy Kiddoo from the Long Beach band On Blast has just gone live on the Converse Blog.

Camille Rose Garcia: Alice's Adventures In Wonderland

2010-02-13T04:58:42Z

Growing up in the shadow of Disneyland, artist and illustrator Camille Rose Garcia spent a lot of time contemplating the reality of fantasy and the fantasies that make reality palatable.

Just as the white paint flaked and the wood decayed in the once-perfect picket-fenced suburbs that surround Disney's Orange County Fantasyland, on canvas and in print, Garcia's brightly colored fairytale tableaus are juxtaposed with darker elements, as real world forces impinge on her perfect dream worlds.

Much of Garcia's work explores the lie of the American Dream, the loss of it, and how the masses are self-medicating to deal with the aftermath. Though these themes are adult in nature, the on-the-surface beauty of Garcia's art appeals to a younger audience on a more basic level. So when Harper Collins decided to revisit Alice's Adventures in Wonderland amid renewed interest in Lewis Carroll's curious tale (which was first published in 1865), Garcia was a natural choice to re-imagine the visual element of the book.

I spoke with Garcia to find out what she saw when she followed Alice and a certain well-dressed (and very late) White Rabbit down Carroll's most unusual rabbit-hole.

Read my exclusive interview with Camille Rose Garcia at SuicideGirls.com.

SuicideGirls Wins LA Weekly's Sexiest Site Award

2010-01-22T09:05:41Z

SuicideGirls were among the winners of the LA Weekly's 2009 Web Awards. The groundbreaking pinup and social media company was honored for being LA's Sexiest Site.

Co-founder Missy and model coordinator Radeo (pictured above) braved the chubby rain to pick up SG's plaque at a soiree held at Bardot on Thursday night. Other winners in SuicideGirls's extended family included SG columnist Wil Wheaton, who won Best Personal Blog, and SG photographer Zoetica and SG designer Courtney Riot, who picked up Coilhouse's prize for LA's Best Designed Site Aesthetic.

Hit my photo gallery for more images from the night.

Thanks to the LA Weekly's Erin Broadley for organizing and hosting the event -- and for making sure the open bar was open as soon as we arrived.

A Pearl of Wisdom

2010-01-19T21:59:26Z

Hit the House of Blues in West Hollywood last night to watch Pearl and her hubby, Anthrax's Scott Ian, raise the roof. The pair were celebrating the release of Pearl's awesome new album, Little Immaculate White Fox, which comes out today.

Those that like to rock should do themselves a favor and buy it from iTunes immediately. And while you're at it, I'd also recommend that you set your TiVos to record Jimmy Kimmel tomorrow night (Jan 20th), since Pearl will be the show's musical guest.

Check my photo gallery for more shots of last night's show, which also featured L.A. metal pranksters Steel Panther and Seattle's Witchburn.

Who Are You Honking For?

2010-01-19T21:26:54Z

As someone who was never a huge fan of Leno or Conan (Craig Ferguson and Chelsea Lately are more my style), I still backed Team Coco when the shit hit the fan. When a David is battling a Goliath, I'll support the little guy (or girl) every time. However, now that it looks like Conan has settled his differences with NBC, and Leno is getting some instant Karma for his part in the debacle, it's time to talk about the real victims of late night TV.

In this day and age it's pretty pathetic that there's not a single network late night chat show hosted by a woman. And the sole female late night representative on cable got her gig in-part due to her special relationship with her E! TV boss. Add to that the recent Letterman intern debacle, and the fact that women (who choose not to schtup their bosses) are conspicuous by their absence even behind the scenes on late night TV, and it doesn't take a genius to figure out who the real underdog is.

I live not far from Conan's Universal City home, and as I drive past the body of curbside Conan supporters I've "honked for Coco" multiple times a day to show my support. But now his $40 million payoff is in the mail, can we honk for all the women that don't even get a shot at NBC's 12.05 time slot?

(Thanks to Scott Ian for the YouTube link.)

Peter Jackson: The Lovely Bones

2010-01-14T20:45:14Z

Transforming a beloved book into a film is always a huge risk. Alice Sebold's tale of tragedy, loss, and renewal is such a novel and Peter Jackson is the brave filmmaker who volunteered for the job.

The task was even more challenging since the book doesn't conform to any standard structure. The story is told from the point of view of Susie Salmon, a teenage girl who is brutally raped and murdered at the outset. Despite coming to such a violent and ugly end, as Susie watches her family from a place beyond death, she sees beauty in the connections and new beginnings the demise of her earthly body creates. It's this juxtaposition, that Sebold somehow made work on paper, which created such a strong reaction in readers. Many took great comfort in the author's vision of the afterlife, though Sebold wrote it from an agnostic perspective, which caused the devout to complain about her seemingly godless (and judgment-less) heaven. Others rejoiced in her ability to subvert the darkness of humanity, and in her capacity for finding light where there should be nothing but night.

There was therefore a difficult balancing act that was intrinsic to the success of the movie. The book was criticized by some for being too saccharin, yet if Jackson departed too far from its strangely uplifting tone he risked alienating its large and loyal following. Conversely, graphically depicting the rape and murder of a teen could easily be perceived as being gratuitous on screen, yet acknowledging that such a cruel and tragic event had happened was essential to the core of the piece.

Jackson worked on the screenplay with Lord of The Rings collaborators Philippa Boyens and Fran Walsh (who's also his partner in life). Though the psychedelic dream/afterlife sequences allowed the team to draw on their familiar fantasy filmmaking background, the gritty, true-to-life segments, set in the suburbs of Philadelphia in the 1970s, have overtones from Jackson's earlier work - namely Heavenly Creatures (a period movie released in '94 that Jackson co-wrote with Walsh, which explored the 1954 Parker-Hulme murder).

Thus the movie will not necessarily appeal to Jackson's Lord of The Rings film fans, nor will it sit well with all who loved Sebold's book. Jackson is prepared for a mixed reaction however. Here he talks about The Lovely Bones' journey to the big screen, and his reasons for making the choices he did.

Click through to read SuicideGirls' Q&A with Peter Jackson.

Sinner Takes All At AVN 2010

2010-01-13T19:09:49Z

This past weekend, I drove out to Las Vegas for the parade of plastic toys and silicon playthings that is the AVN Expo and Awards. I was there to support the launch of my friend Carrie Borzillo's book, the Tera Patrick memoir, Sinner Takes All.

After stopping by the main stage at the Sands Expo Center on Saturday afternoon to take a few snaps of the Sinner Takes All co-authors doing their thing, it seemed churlish not to check out what else AVN had to offer. Hence, at around 5.30 PM I headed over to the Palms Casino Resort where the 27th Annual AVN Awards was being held. Above is an image of Female Performer of the Year, Tori Black. You'll find oodles more red carpet images in my AVN Awards photo gallery.

After the awards I hit the Hard Rock where Tera Patrick was hosting a late night soiree at Wasted Space. See separate gallery for more images of Tera's book signing and afterparty events.

Matthew Broderick: Wonderful World

2010-01-12T21:35:02Z

In Wonderful World, Matthew Broderick's character Ben Singer may think he's fighting "the man," the soulless god of faceless corporations, but in reality he's his own worst enemy. With his folk music career behind him, having lost his family and his copywriting job, he may be down on his luck, but it's his inability to see the light at the end of the tunnel, even when it's shining right in his eyes, that renders him impotent and leaves him without hope.

Written and directed by Broderick's longtime friend Josh Goldin, Wonderful World is a low budget film on very limited release. Its small price tag however belies its true value. With fully realized characters, a quietly powerful plot, and a solid ensemble cast, the full-of-heart film features one of Broderick's most nuanced performances to date.

I met up with Broderick in a non-descript room at West Hollywood's Standard Hotel, which had been converted into an ad hoc press suite for the day, to talk about this very special movie.

Hit the link to read my exclusive interview with Matthew Broderick at SuicideGirls.

Dita Von Teese: Stripteese in Downtown and Hollywood

2010-01-06T01:53:45Z

After interviewing Dita Von Teese for SuicideGirls, I caught up with her in the flesh at ReVamp in Downtown LA. The burlesque star was at the boutique, which specializes in limited edition vintage recreations, for an event to promote her new mini flip-book set Stripteese.

During a Q&A session which followed the book signing, Dita let slip that she'll be doing a secret preview of her new show at West Hollywood's Roxy sometime early in 2010.

I've posted more images of Dita and her fans (including mini-socialite Paris, of LifeWithParis.com) in a photo gallery at SuicideGirls.

Those that want to see Dita in person however should head out to Hollywood's Daily Planet Bookstore, which will host another book signing event starting at 7pm on January 6th.

Tera Patrick: A Memoir of Love And Porn

2010-01-05T19:41:10Z

Tera Patrick has one of the most recognized names, faces - and bodies - in porn. The Asian adult film actress made her first movie in 1999 and has managed to stay at the top of the proverbial pile for over a decade. Over the course of her career she has won numerous industry awards, and was inducted into the elite AVN Hall of Fame earlier this year.

The product of a broken home, as a teenager Tera craved attention. Her ambitions were simple: she wanted to be a model and marry a rock star. She achieved her fist goal early in life when she was discovered by a talent scout at the age of 13. She subsequently signed with a Japanese agency, and moved halfway around the world to fulfill her dreams. Alone. When she was just 14. Though successful at landing assignments, without any parental supervision, Tera's life soon spun out of control.

Back in the U.S. with her legitimate modeling career behind her at 16, Tera knuckled down, passed her GED, went to college, and landed a respectable job at a nursing home. A clash of the worst kind with a bedpan however sent Tera hurtling back into modeling. By now her curvy, 5 foot 9 inch frame weighed in at a healthy 135 pounds. Since fashion was no longer an option, glamour work was the natural choice. With Playboy and Penthouse competing over her, Tera's top shelf magazine career blossomed, catching the attention of softcore movie director Andrew Blake, who produced her first X-rated film.

Tera was a natural on camera, and found immense satisfaction in her new career. Consequently her rise in the porn industry was rapid. Though Tera consistently failed to find balance in her personal life, the one place she was able to exert control was on set. There her star status allowed her to dictate exactly the kinds of scenes she was willing to do, and choose the partners she wanted to do them with.

Her vocation also brought her much closer to her second goal, since rock stars have a tendency to gravitate towards models and porn stars. Tera hooked up with Erik Schrody a.k.a. Everlast after appearing in one of his music videos. When that relationship soured she set her sights on Evan Seinfeld of Biohazard, whom she began dating in 2002.

Drawing on his music business experience, Evan took control of Tera's career as well as her heart, and advised her to end her exclusive agreement with Digital Playground, who served as both her management and production company. This led to an enforced hiatus from porn while Tera fought to be released from the deal. When Tera returned to the industry in 2004, she wanted Evan, who was by now her husband, to be the only man in her life. The pair set up their own production company, Teravision, in association with Vivid, the world's largest adult movie house, and Evan began appearing alongside his wife (using the porn name Spyder Jonez) in all their new product.

At the top of her game with a rock star by her side, having conquered the adult movie industry and taken full control of her business (or so she thought), Tera began to reflect on her career and set new goals in life. Closing the chapter on porn, Tera set about writing her memoir.

Sinner Takes All: A Memoir of Love and Porn is the result. Written with Cherry Bomb author and SG contributor Carrie Borzillo, and published by Penguin imprint Gotham Books, it chronicles Tera's path to porn stardom and the loneliness, love, and lust she experienced along the way. It's a page-turner of a book, which, like every good story, ends with the kind of twist even Tera couldn't predict.

On the eve of the book's release, I called up Tera to find out more. Read my exclusive interview with Tera Patrick at SuicideGirls.com.